Projects
Publikationen
Press
Dates
About/Contact

Presentation of a fake sermon

Staatstheater Nürnberg
27. Januar 2019
---
Staatstheater Nürnberg
9. Februar 2019
---
Staatstheater Nürnberg
28. Februar 2019
---
Staatstheater Nürnberg
11. April 2019
---
Staatstheater Nürnberg
5. Juni 2019
weitere Aufführungen…
---
Theater Nürnberg, Aufführung einer gefälschten Predigt über das Sterben
28. September (Uraufführung) 2018
---
Staatstheater Nürnberg
30. September 2018
---
Staatstheater Nürnberg
11. Oktober 2018
---
Staatstheater Nürnberg
13. Oktober 2018
---
Staatstheater Nürnberg
19. Oktober 2018
---
Staatstheater Nürnberg
9. November 2018
---
Staatstheater Nürnberg
1. Dezember 2018
---
Staatstheater Nürnberg
5. Dezember 2018

Text, Set, Director: Boris Nikitin
wtih Malte Scholz, Finn Nolting, Gospelchor Nürnberg, Gospelchor Veitsbronn
Dramaturgy: Sascha Kölzow
Video: Alexander Mrohs, Georg Lehndorff
Assistant Director: Sophie Wolf

A production of Staatstheater Nürnberg.

><Presse
taz:
What remains  is a profoundly revolutionary thought: if we do not regard death as the end point of life, but as one of many possible versions of dealing with life, then life itself is no longer just compulsion, but becomes concretely a possibility every day.
Deutsche Bühne: At this point at the latest, this highly exciting evening, which re-stages a sermon in order to reveal its effects, turns into a political one and new questions emerge.

20 years ago I was in a clinic.  I wasn’t doing so well. 
Physically or mentally.
I had to stay there for a while and I was surrounded there by all kinds of bodies.
And they were moaning.
Some loud and some quiet.
Some of them couldn’t control their functions anymore.
They like vomited on their blankets or on their matrasses or peed on their matrasses.
And, diagonally across from me there was someone who always held a teddy bar tight in her arms and she reminded me of my gran.
And she always said to the nursing staff that she wanted to die.
And she always grinned: like this.
And I, I wasn’t allowed to leave my bed.
That means, I needed support dealing with my excrement.
And I don’t know either. I found it kind of difficult.
Because it felt like a loss of control.
But then there was a moment, when I noticed that everything was shifting, and that somehow some pressure had been released somewhere.
And I thought:
“Fuck it! I don’t fucking care!”
And then I found that it’s a kind of utopian place.
Nobody has to have control of themselves or pull themselves together.
Everyone is sick and that’s ok.
And it doesn’t matter who is who.

D/E
  • Demons
  • Season One. 20 Years Big Brother
  • 24 frames per second
  • Swiss Propaganda-Conference
  • Attempt on Dying
  • Revolution of the vulnerable
  • It's The Real Thing '19
  • The Opposite of Things
  • don't be yourself - eight self portraits
  • Power and Vulnerability 1-8
  • Presentation of a fake sermon
  • Meet Your Enemy at the Social Muscle Club
  • Martin Luther Propagandasymposium
  • It's The Real Thing 17
  • Hamlet
  • Martin Luther Propagandapiece
  • The audition
  • Sonnet 20
  • X-Appartments Athens
  • It's The Real Thing 15 - Basel Documentary Platform
  • The Joburg Auditions
  • Sänger ohne Schatten
  • Documentation, fake, reality
  • Exit
  • Also the real thing
  • Sei Nicht Du Selbst
  • It's The Real Thing - Basel Documentary Platform 13
  • How to win friends & influence people
  • Bartleby oder Sicherheit ist ein Gefühl
  • Das Grundgesetz
  • Diese Kinder sind in Ordnung
  • Universal Export
  • The broken jar
  • Die Zeitmaschine 1980-2010
  • Woyzeck (Radioplay)
  • X- Schulen
  • Imitation of Life
  • F for Fake (after Orson Welles)
  • Woyzeck